About 1100 runners hit the streets of Carrboro on a beautiful Sunday morning for the Not So Normal 5K, the culmination of a weekend of events that benefited dozens of local nonprofits.
Listen to the story, with sound recorded live at the start/finish line.
The race began and ended at 300 East Main Street. In addition to the 5K, there was also a 10K and a half-marathon (the first half-marathon in Carrboro’s history, according to organizers).
Jay Radford heads up the “Not So Normal” festivities: formerly best known as the dad behind the “Mom in Chapel Hill” blog, he created the project last year as a way to stay active in the community and promote philanthropy. The first Not So Normal race was last fall, with a little more than 400 runners; this year’s race drew nearly three times that many and raised at least $31,000 (at last count) for dozens of charities. (Radford says he’s hoping for a total draw of $50,000 when all the funds are counted.)
Jay Radford with his son Sam.
It’s back: the Not So Normal 5K, a now-annual local tradition that features not just one 5K run but an entire weekend of events around town – and raises funds not just for one good cause, but dozens.
Organized last year by Jay Radford (hitherto best known as the dad behind the “Mom in Chapel Hill” blog), the inaugural Not So Normal 5K generated a lot of excitement in town; and Radford says he’s hoping for even more this year.
The race itself will be on Sunday, May 17, beginning at 8 am; there will be a 10K and a half-marathon course in addition to the 5K. But the Not So Normal 5K actually runs all weekend: there also will be a kickoff event on Thursday the 14th, a fashion show on Friday the 15th, pre-race dinners at various locations on Saturday the 16th, and more.
Proceeds from the race will primarily benefit three worthy local causes: the ArtsCenter in Carrboro; the PTA Thrift Shop; and Super Cooper’s Little Red Wagon Foundation. Racers are also asked to bring canned goods and books to donate for PORCH, Table, and Book Harvest – and some of the pre-race events will benefit a wide variety of other organizations too.
Jay Radford spoke with WCHL’s Aaron Keck.
The race will begin and end at 300 East Main Street, with a course that runs through Carrboro. To learn more, to register, and to donate or volunteer, visit NotSoNormalRun.org.http://chapelboro.com/news/non-profit-news/this-may-a-race-thats-not-so-normal/
The owner of the Cat’s Cradle told the Carrboro Board of Aldermen at Tuesday night’s meeting that his business and the ArtsCenter are both in the same situation – too big for their current buildings.
Tuesday’s meeting was the second of two public hearings on the proposed Arts & Innovation Center and new hotel.
Mayor Lydia Lavelle said at the last month’s public hearing on the CAIC proposal that she wanted to hear from Hampton Inn executives, Main Street Properties and Cat’s Cradle owner Frank Heath at the Feb. 3 meeting.
All parties answered that call on Tuesday night, starting with Manish Atma, president of Atma Hotel Group, which manages the Hampton Inn at 300 East Main.
The plan is for the Hampton Inn to add a second hotel there, where the ArtsCenter currently resides, as the ArtsCenter moves into the CAIC, along with Kidzu Children’s Museum.
Atma talked about the proposed 140-room, five-story Hilton Garden Inn.
“We opened the Hampton Inn in August of 2013,” said Atma. “We have housed over 80,000 adults and children in the last 14 months at our hotel that have visited local restaurants, bars, and shops.
“In total, we’re anticipating the same amount of people in our new hotel.”
Atma added that the Hampton Inn does not, however, run with an average 95 percent occupancy, as former Carrboro Mayor and retired state Sen. Ellie Kinnaird reported to the Board of Aldermen last month.
Laura Van Sant and Kevin Benedict were at Tuesday night’s meeting, representing Main Street Properties.
Van Sant talked about a subject that seems to be on the minds of many Carrboro residents, judging from comments at the last CAIC hearing: The Cat’s Cradle. Citizens say they want to know where that beloved 300 Main Street venue stands in all of this.
In a statement released to WCHL on Monday, Cradle owner Frank Heath offered no opinion on the merits of the CAIC proposal. Instead, he expressed frustration that the Cradle began to outgrow its current space for big-drawing musical acts years ago, yet the space remains the same.
Main Street Properties is The Cradle’s landlord, and Van Sant came into the Aldermen meeting Tuesday night with her version of discussions between the two parties over the past several years.
“The Cradle has always paid discounted rent at 300 East Main,” said Van Sant, “an amount that has not increased since 2005. From 2007 to 2010, we worked with the Cradle and paid to design a new building that actually could be built where we’re talking about putting the hotel now.
“And it could have been built at the same time as we’re building the new parking deck, and sold or leased to The Cradle at cost. But The Cradle chose not to pursue that opportunity.”
Van Sant said that a later offer to sell or lease VisArt’s old space next door to the Cradle was also rejected.
“Next, we contributed substantial funds to the Cradle in 2011, so it could expand its current capacity from 615 people to 849 people, and so it could open the back room,” said Van Sant. “Working with the town, we proposed a long-term lease with only inflationary rent increases, so The Cradle would face no risk of displacement from surrounding development.
“The Cradle rejected that lease offer.”
Heath was supposed to speak next, but he had stepped out. Speaking on his behalf, Diana Straughan said that Heath was likely “floored” by Van Sant’s comments, and unprepared to respond during the time allotted.
“I don’t think he felt like it represented some things that actually took place,” said Straughan, “but he really doesn’t want to hash it out here.”
Heath returned to speak toward the end of the meeting. He apologized for stepping out, and confirmed that he didn’t want to follow Van Sant’s comments, which, he said, didn’t match his recollection of events over the past seven years.
He said that competition from growing Triangle cities makes the expansion of arts venues in Carrboro an urgent priority.
Heath added that he realizes it’s difficult for a small town to make the necessary decisions when considering two successful arts organizations that have outgrown their current venues.
“We have a great dilemma at the moment because the ArtsCenter and the Cradle are well-established enough and successful enough that both organizations really do need to expand, in order to fully realize their potential.”
The next meeting of the Board of Aldermen regarding the CAIC proposal is on Feb. 17. That meeting will be a work session, at which Alderpersons will discuss it among themselves.
To hear more from Tuesday’s meeting of the Carrboro Board of Aldermen, stay tuned to WCHL throughout the week.
But she’s got some concerns about the plan.
“We potentially could be looking at a $4.5 million dollar investment in this property and that’s a lot of money for a building that’s essentially custom-built for two organizations that haven’t yet proven long-term sustainability,” says Chaney. “It’s a big risk so we need to hear from the public as to whether they think the potential benefits are worth that risk.”
Here’s how the deal might work: the ArtsCenter owns its building in the middle of the 300 East Main development. The Center is proposing a land swap with East Main Partners that would allow the Hampton Inn to build a second hotel on the site of the current ArtsCenter.
In return, the gravel lot at the corner of Main and Roberson would be donated to the Town by East Main Partners. Carrboro would construct an $11 million dollar facility to be leased to Kidzu and the ArtsCenter, with the town and the nonprofits splitting the cost.
You can read the full proposal here.
Phil Szostak is an architect, ArtsCenter board member and a leading proponent of the plan.
“We’re trying to put a project together for downtown Carrboro that will not require any additional taxes or use of any new city funds to fund the project,” says Szostak. “The project now is proposed to be 50-50 public-private partnership where our partnership would require The ArtsCenter and Kidzu and other partners to raise half the money before the project is started.”
Szostak is also the developer of the Durham Performing Arts Center. He says the Arts and Innovation Center can do for Carrboro what the DPAC has done for downtown Durham.
But Chaney notes Carrboro is a long way from the Bull City.
“I think it’s an entirely different scenario and Durham’s a much larger municipality, so that building can support a lot of different kinds of programming and at a higher price-point that what this building could support.”
Both Kidzu and the ArtsCenter are popular nonprofits looking to expand.
Kidzu has operated at a series of locations in Chapel Hill since opening in 2006. It is temporarily located at University Mall, where the museum expects to serve more than 100,000 visitors in the next year.
Last year more than 93,000 people participated in programs at The ArtsCenter but Szostak says the aging facility can’t support the growth of the organization.
“It’s very hard for us to expand. That building was originally done in 1987. We were meeting a demand then and we didn’t really have a lot of space to meet future demand. Now, 25 to 30 years later, we have a huge demand that we cannot meet. To go up in place would be almost impossible for us without shutting the ArtsCenter down for a year.”
And both groups say the Arts and Innovation Center would be a great fit for Carrboro.
“What we would really like the citizens of Carrboro to understand is there won’t be one penny that comes out of their personal pocket to make this center happen,” says Kidzu Executive Director Pam Wall. “It will generate a good deal of economic development and money coming into the Town of Carrboro because the folks that visit this center will go out to eat, they will be shopping and purchasing gifts and things like that. There’s a good amount of economic development that this center will create.”
But Alderwoman Chaney worries the plan wraps up too many complicated issues into one package.
“The proposal itself that we’ve been asked to consider bundles two really big decisions that need to be separated. Those are whether there should be a second hotel in downtown Carrboro and whether the town should invest in a building that would accommodate the ArtsCenter and Kidzu and potentially other nonprofit arts organizations.”
That second hotel is a key part of the co-location plan, as it’s envisioned to be the source of new revenues for the town.
“It’s really hard to separate the two, if in fact we are looking at the taxes generated by the hotel to be one of the funding sources,” says Szostac. “We don’t have to do that, but we can certainly make the case that if the ArtsCenter does not move, that hotel does not get built.”
Szostak estimates it could bring in as much as $550,000 in taxes to Orange County each year, enough to cover the debt service the town would need to pay to finance construction.
The question of whether Carrboro needs a second hotel is just one aspect Chaney would like to see fully explored when the concept comes up for a public hearing later this month.
“What I do worry about is whether the business model that’s being proposed is really the most appropriate one,” says Chaney. “Is it the most appropriate way to leverage public funding? I think that’s the big question.”
Read Chaney’s full statement on the plan here.
All parties agree that the upcoming public hearing is merely the starting point for discussion.
“Every project should be scrutinized. This is public money and the town fathers really need to take a look at this and get the input from the public,” says Szostac. “Certainly I wouldn’t even suggest doing it without that.”
Kidzu and the ArtsCenter will host a series of public information sessions this week. Carrboro business owners are invited to a session on Tuesday, January 13, from 5:30-7 pm at the ArtsCenter. A session for the general public will be held on Wednesday, January 14, from 5:30-7 pm at the ArtsCenter.
They’ve been together for more than 40 years, they’ve been regular guests on “A Prairie Home Companion,” they’ve been covered by Kathy Mattea and Mary Chapin Carpenter and Emmylou Harris and more – and on Friday at 8:00 pm, the singer/songwriters Robin and Linda Williams will take the stage at the ArtsCenter in Carrboro.
WCHL’s Aaron Keck spoke with Robin and Linda on “Aaron in the Afternoon” Wednesday – and played the song “On and On” from their latest album, “Back 40.”
A trio of nonprofits wants to partner with Carrboro to build a four-story “Arts & Innovation Center” downtown.
The ArtsCenter and Kidzu are asking the Town of Carrboro to build a 55,000 square foot building across the street from Armadillo Grill to be known as the Carrboro Arts & Innovation Center.
The proposal calls for the lot at the corner of Robeson and Main Streets to be donated to the town, which currently leases the property for parking.
Carrboro would contribute $4.5 million of the $12.1 million construction cost for the building. Some of that money would be generated by a new hotel proposed for the site of the current ArtsCenter. The nonprofits would raise the rest through donations, foundations and grants.
Under the current plan the town would own the building and lease it to the three groups in partnership.
The Board of Aldermen voted 6-1 on Tuesday to hold a public hearing on the plan when meetings resume in January. The hearing is scheduled for January 20, 2015.You can find out more here.http://chapelboro.com/news/local-government/nonprofits-want-carrboro-collaborate-arts-center/
More than 450 runners turned out in Carrboro on a cloudy but rain-free Sunday morning for the “Not So Normal 5K,” part of a weekend-long event that raised money for dozens of local charities.
Speaking at the finish line, race organizer Jay Radford said he was thrilled by the turnout and the support.
“I’m overwhelmed by the generosity, the kindness, and the support of our community,” he said. “It is simply amazing, the way people have rallied around this event…all the events for the whole weekend.”
The race was the centerpiece of the event, but the “Not So Normal” weekend also included a free concert at University Mall, numerous events on Friday and Saturday, and pre-race dinners on Saturday night hosted by numerous local restaurants. Radford says those dinners alone raised more than $5000.
Designed to benefit multiple charities rather than just one, funds from the “Not So Normal” event will go to support the Carrboro ArtsCenter, NC Children’s Promise, Kidzu Children’s Museum, and dozens more.http://chapelboro.com/news/non-profit-news/normal-raises-big-money/
The Not So Normal 5K is finally here!
After two days of pre-race events around town on Friday and Saturday, the race will take place in Carrboro Sunday morning – with proceeds going to benefit dozens of local charities, especially the ArtsCenter in Carrboro and NC Children’s Promise.
Then at 4:00 pm, the event concludes with a free concert inside University Mall, featuring performances by DSI Comedy, local musicians Ella Bertram and the Buzztown Band, and the Nashville-based band Stereosparks.
Brian Buzby of the Buzztown Band stopped by WCHL this week to speak with Aaron Keck on “Aaron in the Afternoon.”
It’s being billed as “a celebration of community and philanthropy” – and it’s hitting Chapel Hill on the weekend of September 12-14.
It’s the “Not So Normal 5K.” Organized by Jay Radford – a dad who writes the “Mom in Chapel Hill” blog – the event is ‘not so normal’ because it will benefit not just one, but dozens of local charities. Proceeds from the 5K on Sunday, September 14 will benefit the Carrboro ArtsCenter and the NC Children’s Hospital; participants are encouraged to bring book donations for Book Harvest or food donations for TABLE and PORCH – and participants are also encouraged to form teams and solicit sponsors to raise funds for any non-profit in the area. (“Run for what moves you,” says Radford.)
And in keeping with the ‘not so normal’ vibe, the event is not just a 5K – it actually spans the entire weekend, from Friday through Sunday, with comedy shows at DSI Comedy Theater, a Pajama Party at the ArtsCenter, a movie on the lawn at Weaver Street Market, pre-race dinners at restaurants across Chapel Hill and Carrboro, and more.
The weekend culminates with an outdoor concert Sunday night at University Mall, headlined by rising country star Frankie Ballard (whose single “Helluva Life” hit No. 1 on the Billboard Country Airplay chart earlier this year) and featuring Nashville-based performers Casey Jamerson and Stereosparks as well as local kids’ entertainers The BuzzTown Band. The concert is being presented by WQDR radio, 94.7 FM – so tickets to the show cost just $9.47.
Organizer Jay Radford spoke with WCHL’s Aaron Keck on “Aaron in the Afternoon.”
Aaron also spoke with the concert headliner, Frankie Ballard…
…as well as Casey Jamerson, who performed on Broadway and in Australia before starting her Nashville career…
…and Storey Condos, the lead singer of Stereosparks.
For a complete schedule of events and ticket information, visit NotSoNormal5K.com.http://chapelboro.com/news/non-profit-news/september-fundraiserconcert-normal/
“10 By 10 in the Triangle” opened Friday and runs through July 27, with shows Thursdays, Fridays, and Saturdays at 8:00 p.m. and Sundays at 3:00. Visit ArtsCenterLive.org for more details.
“What is that guy doing up there on stage?” I ask.
“I don’t know,” says my friend Kit. “But that is one awesome smoking jacket he’s wearing.”
It’s 7:55 on Friday evening and the curtain’s about to go up on the ArtsCenter’s thirteenth annual “10 By 10 in the Triangle” show – an evening of ten short plays, each about ten minutes long, performed by a cast of ten actors with ten different directors. It’s opening night and the place is buzzing. I’ve never seen a “10 By 10” show, but it’s a major event on the ArtsCenter’s yearly calendar: the ten plays were chosen from 750 submissions that came in from around the world, they’ve been working on it for months, and just scanning the audience, it’s obvious it’s kind of a big deal. The room is packed. All the local luminaries are there. Town leaders, theater royalty. Kit and I are sitting next to Lydia Lavelle.
Smoking Jacket Guy is David Berberian, as it turns out – one of the ten actors, already in character as the arrogant master thespian Vincent Van Buren, strutting about the stage, gladhanding the audience members in the pit (one of whom turns out to be a second actor, planted in the front row). The show begins, officially, when Berberian butts in on artistic director Jeri Lynn Schulke’s opening spiel – though not until she proclaims this to be the best “10 By 10” yet.
(My actress friend Amanda is a veteran from previous “10 By 10” shows; she was in the audience with another past-show veteran. “We were like, ‘hey!’” she joked.)
The first play alone features an actor being pulled on stage from the audience, a surprise entrance from outside, a character in disguise as himself, and a hilarious “Shakespeare-off” where the lines may or may not actually be from Shakespeare. (I won’t spoil it.) All that in ten minutes. It’s chaotic, it’s unexpected, and it’s hilarious – a great opening play, and a perfect introduction to a show that (by its nature) is going to be a scattershot grab bag of diverse scenes, styles, emotions, and endings.
If you’re looking for a cost-efficient night out, “10 By 10” is the show for you. For one price, you get ten plays. There’s something in it for just about everyone. Will you love every play? Almost certainly not – they’re too diverse for that. But there will be something in it that you will love. By the time we walked out of the theater, two and a half hours later, we’d seen six love stories, two riffs on modern technology, and three takes on the theater itself; we’d seen men and women fly, die and return to life; we’d seen the concealing power of light and the revealing power of darkness; and there may or may not have been a naked guy. (I won’t spoil that either.)
Jeri Lynn Schulke joined me on the Afternoon News earlier this week to talk about the show. Here’s our conversation.
Overall – is it good? Yes. It’s a fun night out. You should definitely go.
How about each individual play?
Well, that’s a little trickier. Short plays do tend to follow a sort of template – like short stories, they tend to focus on particularly intense moments (blind dates, jarring revelations, the confrontation with death) and build toward what James Joyce referred to as an “epiphany,” a sudden overwhelming final realization that changes everything. So you’ll see a lot of recurring themes and patterns in these plays. Still, there’s a lot of room to move within that broad category – and because the plays in “10 By 10” are so diverse, different people will feel differently about each one. (You could tell that much sitting in the theater, where – for reasons we never quite figured out – the right-hand side of the audience was laughing more than the left.)
So it’s only fair that a review of “10 By 10” should incorporate several different perspectives. I compared notes with Kit and Amanda (both seasoned theater folks) – and between the three of us, notwithstanding some differences of opinion, we actually did come to a pretty solid consensus.
Among the ten actors, we kept coming back to two. David Berberian – the aforementioned Smoking Jacket Guy – delivers an especially strong performance; you see him in three wildly different roles and he disappears into each one. Also noteworthy is Caroline Strange, who’s prominently featured in the two best plays of the show (though she’s typecast a bit as an immature millennial in two of her three roles). Beyond that, Lazarus Simmons only has one major role, in a play called “Canyon,” but he makes it count. Page Purgar is also worth noting: she actually has three big roles, but she’s especially terrific paired with Berberian as a Catholic school teacher in a play called “Recess at Our Lady of the Bleeding Heart, Mind, and Spirit.” (“Recess” wasn’t our favorite play, but we generally agreed that it was the best-acted.)
The show is divided into two acts of five plays each. In the first act, the standout is “Canyon,” featuring Strange as a young woman planning to jump off the Grand Canyon (she thinks she can fly) and Simmons and Jillian Lea as a couple trying to stop her. In the second act, it’s “Lost in Thought,” a David Ives-esque piece with Jorge Donoso (also good in four very different roles) as a young man reflecting on a relationship turned sour. (Strange plays the ex-girlfriend; Simmons plays her new squeeze.) Of the ten plays, “Lost in Thought” is the only one that’s not a comedy; it was also easily our favorite, with “Canyon” a close second. They’re extremely well-acted, well-directed by Hope Alexander (“Lost”) and Lori Mahl (“Canyon”) – and remember I mentioned the “epiphany” that often comes at the end of short plays? These two earn their epiphanies. (Trust me, you will remember their last lines.)
As for the other eight: we loved “What the Theatre is All About,” the anarchic opening play with Berberian and Fred Corlett as dueling Master Thespians. We also really enjoyed “Recess,” again mostly for the terrific acting. We liked “Going Viral,” about a teenager (Donoso) who learns that his parents have made him an unwitting YouTube celebrity – but we agreed that it felt more like a sketch than a play. (No epiphany, I guess.) One of us loved “The Interpreter,” about a dating service that live-tweets your blind dates, but the other two were slightly turned off by Strange’s character (the live-tweeter), who came off as a bit shrill. (This is one of her two immature-millennial characters; the other one is in “Canyon,” more chill than shrill, and it’s great.)
There are two plays, “Ten Minute Life” and “This Is Not A Play,” both of which are about the process of writing a ten-minute play; we didn’t much care for either one (too meta!), but we all agreed that “This Is Not A Play” was more successful. (“Ten Minute Life,” our least favorite, tries to build to an epiphany that it doesn’t really earn; it’s too self-referential to be realistically emotional. Two of us actually liked “This Is Not A Play,” but we all agreed it would have been better as a five-minute piece.) We also weren’t sold on “The Wisdom of Pirates,” about a woman who decides to wear an eyepatch; there wasn’t anything inherently wrong with it, but we didn’t buy the epiphany there either. (One of us said, “It thinks it’s smarter than it actually is.”)
And the show closes with a surreal pastiche called “A Streaker Named Desire,” which was really the only one that divided us: one of us liked it, one of us hated it, and one of us liked most of it but didn’t buy the ending. We’ll leave the final judgment up to you.http://chapelboro.com/columns/aaron-keck/10-10-takes-artscenter/